artist-designer

vanité aux fruits

Vanité aux fruits

 
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charcoal

18”x 24”

Many artists have delved into the fascinating symbolism, connotations and innuendos of fruits through vanitas. The reading of Blackberry Picking by Seamus Heaney and The Picture of Dorian Gray by Oscar Wilde inspired this vanitas, which sought to explore beauty, vanity, sensuality, sexuality and decay through a fruit arrangement. Here, I arranged pomegranates, pomegranate fragments, grapes, peaches, apples, strawberries, and cherries, as well as a glass of wine, on a bed of black satin.

 
 
Fruits Study No.2

Fruits Study No.2

 
Fruits Study No.1

Fruits Study No.1

Fruit studies

oil on canvas

24”x 36”

Two studies inspired by the fruit arrangement.

No.1 is a blind contour which exaggerates the lines, capturing the movement of the arrangement. No.2 follows the contour lines of No.1 with an emphasis on color. The oil paints were thinned down with glaze and used like watercolor, painting in layers of colors. This technique gives the paint translucency, lending a “stained-glass”, shine-through effect.

The abandon and liberty of these pieces juxtapose the precision and accuracy of the charcoal still life, reinterpreting the same reference from a different perspective.

 

inspirations

 
 

The sketches and plans for the arrangement, planning out movement, space, composition, and balance, as well as original blind contour (left). Sketchbook page of inspiration, referencing literature (right). Original fruit arrangement (middle).

Sketches

Sketches

Notes

Notes

 
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Late August, given heavy rain and sun
For a full week, the blackberries would ripen.
At first, just one, a glossy purple clot
Among others, red, green, hard as a knot.
You ate that first one and its flesh was sweet
Like thickened wine: summer’s blood was in it
Leaving stains upon the tongue and lust for
Picking. Then red ones inked up and that hunger
Sent us out with milk cans, pea tins, jam-pots
Where briars scratched and wet grass bleached our boots.
Round hayfields, cornfields and potato-drills
We trekked and picked until the cans were full,
Until the tinkling bottom had been covered
With green ones, and on top big dark blobs burned
Like a plate of eyes. Our hands were peppered
With thorn pricks, our palms sticky as Bluebeard’s.

We hoarded the fresh berries in the byre.
But when the bath was filled we found a fur,
A rat-grey fungus, glutting on our cache.
The juice was stinking too. Once off the bush
The fruit fermented, the sweet flesh would turn sour.
I always felt like crying. It wasn’t fair
That all the lovely canfuls smelt of rot.
Each year I hoped they’d keep, knew they would not.
— Seamus Heaney